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  • ... Architecture. His research work emphasizes methodological development in the integration of hardware, software and digital fabrication with the goal of creating eversive works that blur the divide between the virtual and the real. He is also...
  • ... (2003, 2002, 2001), ARTnews (2001) and many other publications. It is also included in Thames & Hudson's 'World of Art - Digital Art' book (2003) by Christiane Paul. In addition to creating her own artwork, Utterback develops long term and permanent...
  • ... Simon Biggs emerged as one of a small number of Australian artists during the 1970’s who were experimenting with electronic and digital media. With initial influences from diverse sources, such as his father’s work as a first generation computer scientist, 1960’s...
  • ... Embrace: visionary theories of art, technology and consciousness, New Media in the Late 20th-Century, Video Art, and Digital Art. (source: www.peterdagostino.net)
  • ...Jaroslav Vančát, Ph.D. New media artist – multimedia art, digital art, computer art, interactive art, visual structuralism, conceptual art, video art Associate Professor at universities in the Czech Republic, new media, visual arts and creativity theorist, semiotics...
  • ... systems in motion and at rest. Equally embracing the qualitative human perception and the quantitative rules that define digital culture, organic form emerges from precise mechanical structures. REAS is a professor at the University of California, Los...
  • ... (DK). His projects have been reviewed on BBC, Forbes, Reuters, ARTE.TV, Wired, RTVE, El Pais, ResonanceFM, Weave, Create Digital Music, We Make Money Not Art and Digicult.
  • ... about our entanglement as individuals in current socio-economic situations. Eckermann works with various media including digital and physical environments, installations, videos, objects, and sculptures. Eckermann is the first recipient of the City of...
  • ... all things emotional, embodied, felt, sensed, the visceral, physical, and relational. She is also a Senior Tutor for the Digital Direction Masters Programme at the Royal College of Art and Professor of Interactive and Immersive Arts. Her current art...
  • ... has changed the nature of how we imagine and create, and the individual now joins an emergent cognition of web knowledge. Digital visualization and fabrication technologies are increasingly supplanting the hand of the artist, and the computer has further...