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L'Image, Les Circuits Electroniques Et L'Esthetique Et La
Metamorphose
1995
... DIANA MARIA G. L'Image, Les Circuits Electroniques Et L'Esthetique Et La
Metamorphose
L'esthetique Des Art Mediatiques, Montreal 2 (1995):...
Les corps mutants des artistes. Bio-art
2007
...rger, Jeanette. Les corps mutants des artistes. Bio-art Rue Descartes 'La
Metamorphose
' , no. 64 (March 2007).
Remains – Tomorrow: Themes in Contemporary Latin American Abstraction
2022
Fajardo-Hill, Cecilia, ed. Remains – Tomorrow: Themes in Contemporary Latin American Abstraction. Berlin: Hatje Cantz, 2022.
Performing Data
2011
Miekus, Krzysztof and Karolina Koriat, ed. Performing Data. ISBN 978-83-61587-55-2, Gdansk: LAZNIA Cultural Center for Contemporary Art, 2011.
Performing Data
2011
Miekus, Krzysztof and Karolina Koriat, ed. Performing Data. ISBN 978-83-61587-55-2, Gdansk: LAZNIA Cultural Center for Contemporary Art, 2011.
Truth in media art through sensory-motor coordination: Scenography 2:Space and Truth, Zurich University of the Arts
2008
Dartel, van Michael. Truth in media art through sensory-motor coordination: Scenography 2: Space and Truth, Zurich University of the Arts In Scenography 2, edited by Thea Brejzek and Laurence WallenVol.2. Scenography HGKZ, , 22-34. Zurich: Zurich
'Fire and Air', 'Laberint'
1992
Allen, Rebecca. 'Fire and Air', 'Laberint' In Visual Proceedings, edited by John Grimes and Gray LorigChigaco: 1992.
Traversing the Wilderness of Body
2000
Lyall, Marta. Traversing the Wilderness of Body In Shifting Ground: Transformed Views of the American Landscape, edited by Rhonda Lane HowardWashington DC: Henry Art Gallery and University of Washington, 2000.
Inherent Rights, Vision Rights
1996
Yuxweluptun, Lawrence Paul. Inherent Rights, Vision Rights In Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser and Douglas MacLeod, 315-318. Cambridge, MA: The MIT Press, 1996.
Life Spacies
1999
Sommerer, Christa and Laurent Mignonneau. Life Spacies In Siggraph’99 Conference Abstracts and Applications, , 170. New York: ACM, 1999.
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