Archive Search

Perissinotto,Paula & Barreto,Ricardo, ed. FILE SÃO PAULO 2015: THE NEW E-MOTION. Vol.1000. 1 th ed.São Paulo: Sesi Editora, 2015.

Lavoslava Benčić. Izbor literature o filmu na razstavi The Kraszna-Krausz Foundation Book Awards 2015. Medijska vzgoja in produkcija. [Tiskana izd.]. , no. 1 (jan./dec. 2015): 6.

Štromajer Igor. Pixxelpoint 2015: Predmet/Object – 16th International Media Art Festival Nova Gorica: Kulturni dom Nova Gorica.

Fleischmann, Monika and Wolfgang Strauss. Das Digitale Archiv Und Seine Inszenierung: Suchen und Finden im vernetzten Wissensraum Kritische Szenografie: Die Kunstausstellung im 21. Jahrhundert, edited by Kai-Uwe Hemken, Bielefeld: transcript

Casares, Nilo. infocidio 2.0 In II Congreso Internacional de Investigación en Artes Visuales ANIAV 2015, edited by Asociación Nacional de Investigadores en Artes Visuales (ANIAV)Vol.1. , 4. Valencia, Spain: ANIAV, 2015.

Gates-Stuart E; Lovell D; L. Nyugen C; Adcock M; Bradley J; Morell M;. Art and Science as Creative Catalysts (Special Section of Leonardo Transactions “Highlights from the IEEE VIS 2013 Arts Program (VISAP’13), edited by Angus Forbes.”.

Aprile Francesco, Caggiula Cristiano. About Asemic Writing. Vol.september 2015. Utsanga.it th ed.Italy: Utsanga.it, 2015.

Berlot, Uršula.. Space and Light in 20th Century Installation Art Praznine 08/2015. Ljubljana: Umetniško izobraževalno društvo Praznine (2015).

Farkas, Solange and Teté Martinho, ed. VIDEOBRASIL Três décadas de vídeo, arte, encontros e transformações. 2015 th ed.São Paulo, Brasil: dições Sesc São Paulo, 2015.

Benayoun, M.. Who and What are the Quarxs? POST PIXEL.Animamix Biennale 2015-6 (2016).