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Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.

Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.

DeGrow, Don. Myron Turner: Autobiography Winnipeg Art Gallery Studio Series , no. 28 (1996): 4 pages.

Maeda, John. Creative Code. London: Thames&Hudson, 2004.

Courchesne, Luc. Nouveaux terrains d’apparition In Cinéma. interactivité et société, edited by Jean-Marie DalletPoitiers/Bruxelles: 2013.

Courchesne, Luc. Art Design and Beyond In Re-thinking the Contemporary Art School, edited by NSCAD PressHalifax: 2009.

Nils Jean. ‘Totes Haus Ur or the Dislocation of Intimate Space’ Mute Magazine (October 2010).

Moes, Fabiana. Fanculture" and Literary texts: union in cyberspace "Fancultura" e Textos Literários: união no ciberespaço. Revista Encontro de Vistas (2009).

Moes, Fabiana. Borges, Science Fiction, Hyperfiction: three means to Post-Human ? Borges, Ficção Científica, Hiperficção: três caminhos para o Pós-humano? academia.edu (2007).

Moes, Fabiana. Fandom como Sistema Literário: uma análise crítica do texto na Era da Reapropriação Virtual. (Fandom as a Literary System: a critical analysis of the text in Age of Re-appropiation Virtual) Master Thesis, UFPE, Recife, February 2009.