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Iglesias, Ricardo. Robots femeninos y arte electrónico. ISBN: 978-84-8381-068-2 th ed.Madrid: Lengua de Trapo: In: "De Galatea a Barbie: autómatas, robots y otras figuras de la construcción femenina". Various Authors, 2009.

casares, nilo. baldosas y pienso. Vol.1. 1ª th ed.alfafar, valència (spain): universitat politécnica de valència, galería edgar neville, 2000.

Biggs, Simon and James Leach. Autopoeisis: Novelty, Meaning and Valve. London: Artwords Press, 2004.

Murray, Timothy. Digital Baroque. New Media Art and Cinematic Folds. Vol.26. Electronic Mediations, Minneapolis: UNiversity of Minnesota Press, 2008.

Aceti, Lanfranco. Instantaneously Mediated Virtual Visions: The Transmedia Circuit of Images, Body and Meanings Art Inquiry (2008): 20-21.

Aceti, Lanfranco. Interactive Integrated Media In the ‘Agon’ of Convergence Massachusett Institute of Technology, Conference MIT3: Television in Transition (May 2003).

Luksch Manu/Patel Mukul. Ambient Information Systems. London: ambient.publishing, 2009.

Aceti, Lanfranco. Without Visible Scars: Digital Wars and the Memory of War,” Leonardo 42, no. 1 (2009): 16-26.

Schwab, Gabriel. Cosmographical Meditations on the In/Human: Beckett’s The Lost Ones and Lyotard’s ‘Scapeland Parallax 6, no. 4 (2000): 58-75.

Bulatov, Dmitry, ed. Evolution haute Couture. Art and Science in the post-biological age. Vol.1. Kaliningrad: NCCA, 2009.