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Diamond Sara. Taking Ontario Mobile. Toronto, Ontario Canada: OCAD University, 2012.

Diamond Sara. Euphoria & Dystopia (The BANFF New Media Institute Dialogues). Canada: BANFF Centre Press, 2011.

Diamond Sara and Marilouise Kroker. Reframing the Cathedral: Opening the Sources of Technology and Cultural Assumptions In Critical Digital Studies: A Reader, edited by Arthur Kroker, 15. Canada: 2008.

Diamond Sara and John Conomos. Moving Out of Bounds: Expanding the Field of Art Education In Rethinking the contemporary art school : the artist, the PhD, and the academy, edited by Brad BuckleyHalifax, N.S.: Press of the Nova Scotia College of

Neidich, Warren and Norman Bryson. Blow-Up: Photography, Cinema and the Brain. Riverside, CA: Distributed Art Publishing/ University of California, 2003.

Funkhouser, C.T.. Prehistoric digital poetry. An archeology of forms 1959-1995. Tuscaloosa: University of Alabama Press, 2007.

Necromedia - Reversed Ontogeny or Posthuman Evolution?. Necromedia—Reversed Ontogeny or Posthuman Evolution? Digital Death: Mortality and Beyond in the Online Age (2014): 181.

Kera, Denisa. The Museum as a 21st Century Bestiary: Biotechnology, Nanotechnology and Art Between Protocols and Manifests cience Exhibitions: Curation & Design (2010): 196.

Kera, Denisa and Marc Tuters. Social Stomach: Performative Food Prototypes Proceedings 2nd International Workshop "Creative Science - Science Fiction Prototyping for Technology Innovation" (CS'11) (2011).

Perra, Daniele. Diego Caglioni Artribune , no. 9 (September-October 2012).