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Art and Agency in Times of Wetware
2017
Hauser, Jens. Art and Agency in Times of Wetware In Les paradoxes du vivant = The paradoxes of the living: |Les paradoxes du vivant = The paradoxes of the livingThe Paradoxes of the Living, edited by CollectifVol.04. Stream, , 263-269. Paris: PCA
Conversations in Art & Social Justice: Discourses on critical contemporary issues
2019
Weinberg/Newton Gallery. Conversations in Art & Social Justice: Discourses on critical contemporary issues https://soundcloud.com/weinbergnewtongallery.
MI VIDAFrom Heaven to Hell. Life Experiences in Art From MUSAC Collection
2009
Zsolt, Petrányi and Augustín Pérez Rubio, ed. MI VIDA From Heaven to Hell. Life Experiences in Art From MUSAC Collection. Budapest: Műcsarnok Nkft, 2009.
Alexander Hahn - La Signoria degli Astri/The Signiory of Stars, 36p./DVD, Italian
2007
Daniele Gasparinetti. Alexander Hahn - La Signoria degli Astri/The Signiory of Stars, 36p./DVD, Italian. Ferrara/IT: Padiglione d‘Arte Contemporaneo, 2007.
The Dump, 207 Hypotheses for Committing Art
2011
Benayoun, M.. The Dump, 207 Hypotheses for Committing Art. France: Fyp editions, 2011.
Qu’est-ce que le contemporain?
2006
Benayoun, M.. Qu’est-ce que le contemporain? Les cahiers de l’ENSAN (2006).
An affective model of user experience for interactive art
2008
Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. An affective model of user experience for interactive art International Conference on Advances in Computer Entertainment Technologies (2008).
Les Paradoxes du corps numérique
2008
Benayoun, M.. Les Paradoxes du corps numérique Virtual / Physical Bodies (2008).
PAD–based Multimodal affective fusion
2009
Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. PAD–based Multimodal affective fusion Affective Computing and Intelligent Interaction (2009).
Le devenir de l’A.M.E., la réalité virtuelle comme écosystème pour la création artistique
2010
Benayoun, M.. Le devenir de l’A.M.E., la réalité virtuelle comme écosystème pour la création artistique 01 Design, Edit. Europia (2010).
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