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Fiktion und Simulation I
1989
Kittler, Friedrich Adolf. Fiktion und Simulation I In Ars electronica: Philosophien der neuen Technologie, edited by Ars Electronica, 57-80. Berlin: 1989.
Synergie von Mensch und Maschine. Ein Gespräch mit Florian Rötzer
1989
Kittler, Friedrich. Synergie von Mensch und Maschine. Ein Gespräch mit Florian Rötzer Kunstforum 98 (Januar/Februar 1989): 108-117.
Circulating Images of Virtual Systems: Trodes, Gloves and Goggles in Scientific and Popular Cultures
1997
Ito, M. and Scott.S. Fisher. Circulating Images of Virtual Systems: Trodes, Gloves and Goggles in Scientific and Popular Cultures In Stereoscopic Displays and Virtual Reality Systems IV, edited by Scott S. Fisher and M.T. Bolas and J. O.
Met computers nieuwe werelden scheppen (Diskussion mit Jeffrey Shaw und Gert-Jan Lokhorst)
1994
Jacobs, Cornee and Cor Blok. Met computers nieuwe werelden scheppen (Diskussion mit Jeffrey Shaw und Gert-Jan Lokhorst) In Spiraal, tien dialogen tussen kunst en filosofie, edited by Rotterdam Centrum Beeldende KunstRotterdam: Centrum Beeldende
Protected Mode
1991
Kittler, Friedrich Adolf. Protected Mode In Strategien des Scheins. Kunst - Computer - Medien, edited by Florian Rötzer and Peter Weibel, 256-267. München: Boer Verlag, 1991.
Artificial Reality: Past and Future
1991
... In Virtual Reality:
The
ory, Practice, and...
The
Experience Society
1993
...Krueger, Myron.
The
Experience Society Presence:...
Zentralperspektive, Kalkül, Virtuelle Realität. Sieben
The
sen über die Weltbildimplikationen symbolischer Formen
1998
... Realität. Sieben
The
sen über die...
Transition of Concept of Life an Art and Culture from Automata to Network
1998
Kusahara, Machiko. Transition of Concept of Life an Art and Culture from Automata to Network In Art@Science, edited by Christa Sommerer and Laurent Mignonneau, 99-119. New York, Wien: Springer Verlag, 1998.
Ornitorrinco: Exploring Telepresence and Remote Sensing
1991
Kac, Eduardo. Ornitorrinco: Exploring Telepresence and Remote Sensing Leonardo 24, no. 2 (1991): 233.
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