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Grau, Oliver. The History of Telepresence: Automata, Illusion and Rejecting the Body In Nature, edited by Jeffrey Kastner, 121-124. London: Whitechapel Gallery, 2012.

Grau, Oliver and Jonathan P. Bowen and Kia Ng. Renewing Knowledge Structures for Media Art In EVA London 2010: Electronic Visualisation and the Arts, edited by Alan Seal, 286-295. Swindon: British Computer Society, 2010.

Grau, Oliver. Druckgrafik bis Medienkunst: Neue Analyseinstrumente für die historisch vergleichende Bildforschung Rundbrief Fotografie 21, no. 1/2 (2014): 108-116.

Grau, Oliver. Gegenwartskultur vom Verlust bedroht Junge Akademie Magazin 14 (2012): 18-21.

Glynn, Ruairi and Bob Sheil. FABRICATE: MAKING DIGITAL ARCHITECTURE, Michael Stacey Interview with Philip Beesley Riverside Architectural Press , no. 2nd Edition (2013).

Ng, Rashida and Sneha Patel, ed. PERFORMATIVE MATERIALS IN ARCHITECTURE AND DESIGN, Foreword by Philip Beesley. Bristol: Intellect Ltd, 2013.

Beesley, Philip. SIBYL. Projects 2010-2012. Kitchener, Ontario: Riverside Architectural Press, 2012.

Sheil, Bob, ed. MANUFACTURING THE BESPOKE. Making and prototyping architecture. Chichester: Wiley, 2012.

Gangvik, Espen and Philip Beesley, ed. 2012 META.MORF A MATTER OF FEELING, Essay by Philip Beesley. Trondheim: TEKS Publishing, 2012.

Hemmings, Jessica, ed. WARP & WEFT: WOVEN TEXTILES IN FASHION, ART AND INTERIORS, Interview with Philip Beesley. London: Bloomsbury, 2012.