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Frankel, Felice. Envisioning Science: the Design and the Craft of the Science Image. Cambridge, MASS: The MIT Press, 2004.

Ditta, Su. Eyeing the Sublime: Poetic Politics in the Work of Lisa Steele and Kim Tomczak In The Blood Records Written and Annotated: Critical Symptoms, Oakville, Ont.: Oakville Galleries Print., 1999.

Domingues, Diana. Arte e Vida no Século XXI: Tecnologia, ciência e criatividade. São Paulo, BR: Editora UNESP, 2003.

Pettigrew, John D.. The Evolution of Binocular Vision In Evolution of the Eye and Visual System, edited by John R. Cronly-Dillon and Richard L. Gregory, 271-283. New York: MacMillan Technical Publishing, 1986.

Fischlin, Daniel and Andrew Taylor. Living Cartography Border Crossings (1994): 64-66.

Bredekamp, Horst. A Neglected Tradition: Art History as Bildwissenschaft Critical Inquiry 29 (2003).

Domingues, Diana. The Desert of Passions and the Technological Soul In Digital Creativity, edited by Colin Beardon and Lone Malmborg and Masoud YazdaniVol.9. , 11-18. : Swets and Zeitlinger Publishers, 1998.

Michelin, Simone. O Centro do Crisol In Redes Sensoriais: Arte, Ciencia e Tecnologia, edited by Katia Maciel and André Parente, 107-120. Rio de Janeiro, Brazil: Editora Contracapa, 2003.

Crighton, Gary. The Real and the Virtual: Karl O´Donoghue Interviews Char Davies New Media Notes: Art and Technology in Ireland , no. 2 (March 1999).

Davies, Char. Osmose: Notes on Being in Immersive Virtual Space In Digital Creativity, edited by Colin Beardon and Lone et. al. MalmborgVol.9. Lisse: Swets and Zeitlinger Publishers, 1998.