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Rewriting the Myth in virtual spaceReescrevendo o mito no espaço virtual
2007
Moes, Fabiana. Rewriting the Myth in virtual space Reescrevendo o mito no espaço virtual academia.edu (2007).
Fandom como Sistema Literário: uma análise crítica do texto na Era da Reapropriação Virtual. (Fandom as a Literary System: a critical analysis of the text in Age of Re-appropiation Virtual)
2009
Moes, Fabiana. Fandom como Sistema Literário: uma análise crítica do texto na Era da Reapropriação Virtual. (Fandom as a Literary System: a critical analysis of the text in Age of Re-appropiation Virtual) Master Thesis, UFPE, Recife, February 2009.
The Practice of LightA Genealogy of Visual Technologies from Prints to Pixels
2014
Cubitt, Sean. The Practice of Light A Genealogy of Visual Technologies from Prints to Pixels. Leonardo Book, Camebridge: MIT Press, 2014.
Videography: Video Media as Art and Culture
1993
Cubitt, Sean. Videography: Video Media as Art and Culture. Communications and Culture, London: Macmillan Education, 1993.
Resistance is Fertile
2015
Neidich, Warren. Resistance is Fertile. Berlin: Merve Verlag, 2015.
Warren Neidich: Camp O.J.
2000
Steinback, Charles and Stephen Marguiles and David Hunt. Warren Neidich: Camp O.J.. Charlottesville, Virginia: Distributed Art Publishing, Inc. and Bayly Art Museum, 2000.
Warren Neidich/Cultural Residue: Contamination – Decontamination
1994
Bernard, Christian. Warren Neidich/Cultural Residue: Contamination – Decontamination. Nice: Villa Arson, 1994.
Warren Neidich: Historical In(ter)vention
1991
Joselit, David and Ron Platt and Anita Doutha. Warren Neidich: Historical In(ter)vention. Cambridge, Massachusetts: M.I.T. List Center, 1991.
On Visualized Vision In The Early Photographic Work Of Warren Neidich
2010
Neubauer, Susanne. On Visualized Vision In The Early Photographic Work Of Warren Neidich Theory, Culture & Society 27 (December 2010): 306-323.
Data Visualisation and the Subject of Political Aesthetics
2015
Cubitt, Sean. Data Visualisation and the Subject of Political Aesthetics In postdigital aethetics, edited by David Berry and Michael DieterLondon: Palgrave Macmillan, 2015.
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