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Lin Hsin Hsin. Between the Lines, ISBN: 3-937034-51-X (German Edition), ISBN: 981-04-9512-9 (Singapore Edition) http://www.lhham.com.sg/shop/btl4wd.html. Vol.1. 1 th ed.Singapore, Deutschland: Pro Literature Verlag, 2004.

Reinhuber, Elke. Counterfactualism – a new category for fine arts and humanity, dealing with the retrospective analysis of turning points in life Phd Thesis, COFA/UNSW, Sydney, March 2013.

Huhtamo, Erkki. The Dream of Personal Interactive Media: A Media Archaeology of the Spirograph, a Failed Moving Picture Revolution Early Popular Visual Culture 11, no. 4 (2013): 365-408.

Huhtamo, Erkki. What's Victoria Got to Do with It? Toward an Archaeology of Domestic Video Gaming In Before the Crash: Early Video Game History, edited by Mark J. P. Wolf, 30-52. Detroit: Wayne State University Press, 2012.

Huhtamo, Erkki. Thinkering with Media: On the Art of Paul DeMarinis In Paul DeMarinis: Buried in Noise, edited by Ingrid Beirer and Sabine Himmelsbach and Carsten Seiffairth, 33-46. Heidelberg/Berlin: Kehrer, 2010.

Huhtamo, Erkki. The Sky is (not) the Limit: Envisioning the Ultimate Public Media Display The Journal of Visual Culture 8, no. 3 (December 2009): 329-348.

Huhtamo, Erkki. Peristrephic Pleasures, or the Origins of the Moving Panorama In Allegories of Communication: Intermedial Concerns from Cinema to the Digital, edited by Jan Olsson and John Fullerton, 215-248. Rome: John Libbey, 2004.

Huhtamo, Erkki. On the Origins of the Virtual Museum In Museums in a Digital Age, edited by Ross Parry, 121-135. London: Routledge, 2010.

Simon Jr., John F. and Deidre Stein Greben. How Bloopers Become Breakthroughs ARTnews (November 2006): 174.

Huhtamo, Erkki. Tactile Temptations: About Contemporary Art, Exhibitions and Tactility In Interface Cultures: Artistic Aspects of Interaction, edited by Christa Sommerer and Laurent Mignonneau and Dorothee King, 129-139. Bielefeld: transcript,