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Kyong Chun, Wendy Hui. Programmed Visions: Software and Memory. Software Studies Series.. Cambridge: MIT Press, 2011.

Miles, Rachel Somers and Geert Lovink, ed. Video Vortex Reader II: moving images beyond youTube. Amsterdam: Institute of network cultures, 2011.

Giannachi, Gabriella. Virtual theatres. An Introduction. London/New York: Routledge, 2004.

Beiguelman, Giselle. Cine del “postubo” en la era del fin de lo virtual In El cine hace escuela, edited by Jorge La Ferla and Luis Alberto Quevedo, 183-191. Buenos Aires: Fundacion Telefonica, 2014.

Eckermann, Sylvia, ed. Algorithmisiert. Vienna: Czernin Verlag, 2014.

Kera Denisa. On Prototypes: Should We Eat Mao’s Pear, Sail Saint-Exupéry’s Boat, Drink with Heidegger’s Pitcher, or Use Nietzsche’s Hammer to Respond to the Crisis? In Pedagogies of Disaster, edited by Adam Staley Groves Vincent W.J. van Gerven

Beiguelman, Giselle. Arte pós-virtual: criação e agenciamento no tempo da Internet das Coisas e da próxima natureza (Post virtual: art in the Internet of Things age In Cyber-Arte-Cultura: A trama das redes, edited by Fernando PessoaVol.7.

Bertram, Ursula, ed. Kunst fördert Wirtschaft: Zur Innovationskraft des künstlerischen Denkens. Bielefeld: transcript Verlag, 2012.

Kusahara, Machinko. They Are Born to Play: Japanese Visual Entertainment from Nintento to Mobile Phones Art Inquiry (2004).

Stock, Mark. Flow simulation with vortex elements In Biologically-Inspired Computing for the Arts, edited by Anna Ursyn, 18-30. Hershey, PA: IGI Global, 2012.