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Ars Electronica 2003: Code -The Language of our Time
2003
Stocker, Gerfried and Christine Schöpf, ed. Ars Electronica 2003: Code -The Language of our Time. Ostfildern-Ruit: Hatje Cantz, 2003.
3D-Computergrafik und -animation. Mit einer Beschreibung von Autodesk 3D Studio
1993
Brugger, Ralf. 3D-Computergrafik und -animation. Mit einer Beschreibung von Autodesk 3D Studio. Bonn, München, Paris: Addison-Wesely, 1993.
Kunst als offenes Handlungsfeld / Art as open practice
1999
Weibel, Peter. Kunst als offenes Handlungsfeld / Art as open practice In Offene Handlungsfelder. Open Practices. Prassi aperta, Österreichischer Pavillon, 45. Biennale von Venedig, edited by Peter Weibel and Ecke Bonk, 9-21 and 22-35. Köln: DuMont
Interaktive Medienzukunft
1996
Bolz, Norbert. Interaktive Medienzukunft In Interaktiv: Im Labyrinth der Wirklichkeiten, edited by Wolfgang Zacharias, 120-126. Bonn: Edition Umbruch, 1996.
Press/Enter: Between Seduction and Disbelief
1995
Power Plant Contemporary Art Gallery, ed. Press/Enter: Between Seduction and Disbelief. Toronto, CAN: Premier Book Marketing, 1995.
Looking Glass Playgrounds Hit the Entertainment Bullseye
1993
Brill, Louis M.. Looking Glass Playgrounds Hit the Entertainment Bullseye Virtual Reality World (Nov. - Dec. 1993): 41-48.
The Boundary Rider: 9th Biennale of Sydney
1992
Bond, Anthony, ed. The Boundary Rider: 9th Biennale of Sydney. Sydney: Biennale of Sydney, 1992.
Inventing Reality (HTL Memo No. M-89-2)
1989
Bricken, Meredith. Inventing Reality (HTL Memo No. M-89-2). Seattle: 1989.
Biologie und Fake Life Construction - Kommunikationssplitter aus dem Netzsymposium zu LifeScience
1999
Richard, Birgit. Biologie und Fake Life Construction - Kommunikationssplitter aus dem Netzsymposium zu LifeScience In Ars Electronica 1999: LifeScience, edited by Gerfried Stocker and Christine Schöpf, 30-46. Wien, New York: Springer Verlag,
Das Publikum will Technik sehen. Der Künstler und Medientheoretiker Peter Weibel über die Wechselwirkung von Computern und Kunst
2000
Weibel, Peter. Das Publikum will Technik sehen. Der Künstler und Medientheoretiker Peter Weibel über die Wechselwirkung von Computern und Kunst Die Welt (February 25th 2000): 34.
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