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htztz. tztzt. tztzt: tztzt, 2013.

Behrendt, Frauke and Trond Lossius, ed. Sonic Interaction Design. Bergen: BEK - Bergen Center for Electronic Arts, 2011.

Perissinotto,Paula & Barreto,Ricardo, ed. FILE SÃO PAULO 2019: 20 Anos de FILE 20 anos de Arte e Tecnologia. Vol.1000. 1 th ed.Sao Paulo: Sesi Editora, 2019.

Lasserre, Grégory and Anaïs met den Ancxt. SphèrAléas. Tridimensional interactive/sound/image installation In MULTIMEDIA '07: Proceedings of the 15th International Conference on Multimedia, edited by Rainer Lienhart and Anand Prasad, 363-364. New

Mirapaul, Matthew. Secrets of Digital Creativity Revealed in Miniatures The New York Times (September 16 2002).

Whitelaw, Mitchell. System Stories and Model Worlds: A Critical Approach to Generative Art In Readme 100: Temporary Software Art Factory, edited by Olga Goriunova, 135-154. Norderstedt: BoD, 2005.

Apter, Emily S.. The Translation Zone. A New Comparative Literature. Princeton, NJ: Princeton Univ. Press, 2006.

Marchese, Francis T.. Software Archaeology and the Preservation of Code-based Digital Art In Proceedings of Archiving Conference 2013, edited by Society for Imaging Science and Technology, 25-30. Springfield, VA: 2013.

Christiane Paul. Expanding Cinema: The Moving Image in Digital Art In Film and Video Art, edited by Stuart ComerLondon: Tate Publishing, 2008.

Barnett, Tully. Remediating the Infected Body: Writing the Viral Self in Melinda Rackham's carrier. Biography 1, no. 35 (2012): 45-64.