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Fisher, Ebon. Wigglism: A Philosophoid Entity Turns Ten Leonardo 40, no. 1 (February 2007): 37-42.

Blais, Joline and Jon Ippolito. At the Edge of Art. London: Thames & Hudson, 2006.

Flanagan, Mary. The Bride Stripped Bare to Her Data: Information Flow + Digibodies In The Feminist and Queer Information Studies Reader, edited by Patrick Keilty and Rebecca Dean, 13-47. Sacramento, CA: Litwin Books, 2013.

Simanowski, Roberto. Der Autor ist tot, es lebe der Autor – Autorschaften im Internet In Interaktivität: Ein transdisziplinärer Schlüsselbegriff, edited by Christoph Bieber and Claus Leggewie, 190-215. Frankfurt am Main: campus, 2004.

Lin Hsin Hsin. Love @ 1st Byte, ISBN: 978-981-02-1026-4, http://www.lhham.com.sg/shop/love.html. Vol.1. 1 th ed.Singapore, USA: World Scientific Publishing Co, 1992.

Lin Hsin Hsin. @art : A Cyberart show by Lin Hsin Hsin, ISBN: 978-981-00-9877-3, http://www.lhham.com.sg/15solo/15ctlg.html. Vol.1. 1 th ed.SIngapore: Lin Hsin Hsin Art Museum, 1997.

Thiel, Tamiko. Interview, Statement, Artwork Leonardo Electronic Almanac 19, no. 2 (2013): 210-219.

Hentschläger, Ursula. Im Land der Barbaren artmagazine: Ihre online Kunstzeitung (November 10, 2006).

Huhtamo, Erkki. The Sky is (not) the Limit: Envisioning the Ultimate Public Media Display The Journal of Visual Culture 8, no. 3 (December 2009): 329-348.

Lin Hsin Hsin. Between the Lines, ISBN: 3-937034-51-X (German Edition), ISBN: 981-04-9512-9 (Singapore Edition) http://www.lhham.com.sg/shop/btl4wd.html. Vol.1. 1 th ed.Singapore, Deutschland: Pro Literature Verlag, 2004.