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Me as MacGhillie
2010
Meyer, Eva. Me as MacGhillie In Opaque Presence. Manual of Latent Invisibilities, edited by Andreas Broeckmann and Knowbotic ResearchBerlin, Zürich: Diaphenes Verlag, 2010.
Transcoding Sovereignty: Naked Bandit/Here, Not Here/White Sovereign
2005
krcf. Transcoding Sovereignty: Naked Bandit/Here, Not Here/White Sovereign In Sarai Reader 2005: Bare Acts, edited by Monica Narula and Shuddhabrata Sengupta and Jeebesh Bagchi and Geert Lovink, 111-114. Delhi: Sarai Media Lab, 2005.
The Naked Bandit in the Theatre of Visibilities. Control, Attention and Performance in Recent Projects by Knowbotic Research
2010
Broeckmann, Andreas. The Naked Bandit in the Theatre of Visibilities. Control, Attention and Performance in Recent Projects by Knowbotic Research Knowbotic Research (online) (2010).
Knowbotic Research The Dilemma: Naked bandit Transcoding Extra-territorialities, Floating Sovereignties and Non-publics
2004
krcf. Knowbotic Research The Dilemma: Naked bandit Transcoding Extra-territorialities, Floating Sovereignties and Non-publics keine genaue Jahresangabe.
Brain Wave
2009
Ann Landi. Brain Wave ARTnews (June 2009): 92-93.
V =/ L Book
2008
Barral, Xavier and Ryoji Ikeda and Caroline Naphegyi, ed. V =/ L Book. Paris, FR: Editions Xavier Barral, 2008.
formula [book + dvd]
2005
Ikeda, Ryoji and Forma, ed. formula [book + dvd]. London: Forma UK and Cornerhouse Publication, 2005.
Borders, surveillance, and Control in the Digital Age
2010
Burns, David R.. Borders, surveillance, and Control in the Digital Age In Soft Borders International Network Conference and Festival on New Media Art, Sao Paolo, Brazil: 2010.
Towards a Dialogic Concept of Digital Narrative
2005
Del Favero, Dennis and Peter Weibel and Jeffrey Shaw. Towards a Dialogic Concept of Digital Narrative In Disappearing Architecture: From Real to Virtual to Quantum, edited by G. Flachbart and Peter Weibel, 144-151. Basel: Birkhauser Verlag, 2005.
Movies after Film - The Digitally Expanded Cinema
2002
Martin Rieser and Andrea Zapp, ed. Movies after Film - The Digitally Expanded Cinema. London: British Film Institute, 2002.
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