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Ascott, Roy, ed. Consciousness Reframed: Art and Consciousness in the Post-biological
era. Newport: University of Wales, 1997.

Benayoun, Maurice. Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée
par la technologie Sarazine 4 (1996).

Weibel, Peter; u.a.. Neue Berufsfelder und Bildproduktion. Wissensmanagment vom künstlerischen
Tafelbild zu den bildgebenden Verfahren der Wissenschaft In Vom Tafelbild zum globalen Datenraum, edited by Peter WeibelOstfildern-Ruit: Hatje Cantz, ...

Benayoun, Maurice. L´art soumis à la Question par la technologie. Interview par Charles
de Meaux Cultures en Mouvement , no. 15 (March 1999).

Ascott, Roy, ed. Reframing Consciousness. Plymbridge: Intellect Books, 1999.

Ascott, Roy. Behaviourist Art and the Cybernetic Vision In Multimedia. From Wagner to Virtual Reality, edited by Randall Packer and Ken Jordan, 104-120. New York, London: W. W. Norton and Company, 2002.

Weibel, Peter. The Earth as Brainwork In Artificial Intelligence in the Arts, edited by Richard Kriesche, 104-105. Graz: 1985.

Benayoun, Maurice. Un monde trop humain. Nouveaux, Meilleurs et autres Mondes La Mazarine (Autumn 1999): 1; 100-105; 138.

Ascott, Roy. Technoetic Connectivity In Internet Art between Interacitvity, Void and Dis-Authorization, edited by N. Vlic, 63-67. Skopje: Soros Center for Contemporary Arts, 1999.

Benayoun, Maurice. Art Impact, La mémoire partagée à perte de vue Ecart , no. 2 (2000).