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  • Ascott, Roy. The Future is Now: Art, Technology, and Consciousness. Beijing: Gold Wall Press, 2012.
  • Legrady, George. Phantom Waves https://www.mat.ucsb.edu/~g.legrady/glWeb/Projects/pw/phantom_waves.pdf.
  • Kac, Eduardo. Photonic Webs in Time: The Art of Holography In New Media Technologies, edited by Ross Harley, 123-139. New South Wales, Australia: AFTRS, 1993.
  • Ascott, Roy. The Cybernetic Stance: My process and Purpose. In Visual Art, Mathematics and Computers, edited by Roger F. Malina, 135-142. London: Pergamon Press, 1979.
  • Ascott, Roy. Concerning Nets and Spurs / Netze und Sporen In Artificial Intelligence in the Arts, edited by Richard Kriesche, 44-51. Graz, AUT: Steirischer Herbst, 1985.
  • Kunsthalle Wien, ed. Binaera: 14 Interaktionen - Kunst und Technologie. Wien: 1993.
  • Courchesne, Luc. Posture: An experiment in multifold reality In Architecture In Formation, edited by Pablo Lorenzo-Eiroa and A. SprecherNew York: Routledge: 2013.
  • Kyong Chun, Wendy Hui. Human-Mediated-Communications In Reality/Simulacra/Artificial: Ontologies of Postmodernity, edited by Enrique LarrettaRio de Janeiro: Universidade Candido Mendes, 2003.
  • Miekus, Krzysztof and Karolina Koriat, ed. Performing Data. ISBN 978-83-61587-55-2, Gdansk: LAZNIA Cultural Center for Contemporary Art, 2011.
  • Miekus, Krzysztof and Karolina Koriat, ed. Performing Data. ISBN 978-83-61587-55-2, Gdansk: LAZNIA Cultural Center for Contemporary Art, 2011.