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Sommerer, Christa and Laurent Mignonneau. HAZE Express In CyberArts 1999: International Compendium - Prix Ars Electronica 1999, edited by Hannes Leopoldseder and Christine Schöpf, 92-93. Vienna, New York: Springer Verlag, 1999.

Ishii, Hiroshi and Tangible Media Group. Get in Touch. Tangible Bits: Bridging Digital and Physical In Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SChöpfNew York, Wien: Springer,

Lozano-Hemmer, Rafael. Alien Relationships from Public Space In TransUrbanism, edited by Joke Brouwer and Arjen MulderRotterdam, NL: V2_ Publishers, 2002.

Scott, Jill. Crossing and Collapsing Time, Re-constructing (Her) Historical and Ideological Film Narratives on a Transformed Stage In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea ZappKarlsruhe, London: BFI London and

Lozano-Hemmer, Rafael. Real and Virtual Light of Relational Architecture: an Interview with Rafael Lozano-Hemmer In Uncanny Networks - Dialogues with the Virtual Intelligentsia, edited by Geert LovinkCambridge, MA: MIT Press, 2002.

Dove, Toni. Mesmer: Secrets of the Human Frame. New York: Granary Books, 1993.

Velthoven, Willem and Jorinde Seijdel, ed. Multimedia Graphics: The best of Global Hyperdesign. San Francisco, CA: Chronicle Books, 1996.

Lozano-Hemmer, Rafael and Heimo Ranzenbacher. Metaphors of Participation / Metaphern der Partizipation - Interview with / mit Rafael Lozano-Hemmer In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow? / Wer macht die Kunst von

Savani, Jackie. High Tech artists Create Interactive Installation Addressing Poetics of Presence Engineering Today, UCSB Journal XXVIII (2002).

Ranzenbacher, Heimo. Strategies of Intertainment In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfNew York, Wien: Springer Verlag, 2001.