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Paradigmes artificiels
1997
Benayoun, Maurice. Paradigmes artificiels Technicart (1997).
Gesänge des Pluriversums
1986
Weibel, Peter. Gesänge des Pluriversums In Ars Electronica 1986 (Band 2), edited by Gottfried HattingerVol.2. , 73-80. : Linzer Veranstaltungsgesellschaft mbH, 1986.
Öffentliche Bilder und Bilder der Macht
1988
Weibel, Peter. Öffentliche Bilder und Bilder der Macht In Ars Electronica 1988: Kunst der Szene, edited by Gottfried Hattinger and Peter Weibel, 247-251. Linz: Gutenberg-Werbering, 1988.
Der Bruch des Bildes. Vom Tafelbild zum Bildschirm
1990
Weibel, Peter. Der Bruch des Bildes. Vom Tafelbild zum Bildschirm In Computer art faszination, edited by Dotzler Medien Institut, 25-31. Frankfurt/Main: Suhrkamp, 1990.
Der neue Raum im elektronischen Zeitalter
1991
Weibel, Peter. Der neue Raum im elektronischen Zeitalter In Außenräume, Innenräume. Der Wandel des Raumbegriffes im Zeitalter der elektronischen Medien, edited by Heidemarie Seblatnig and Gesellschaft für Filmtheorie, 65-74. Wien:...
Is there Love in the Telematic Embrace? Behaviourables and Futuribles
1996
Ascott, Roy. Is there Love in the Telematic Embrace? Behaviourables and Futuribles In Theories and Documents of Contemporary Art, edited by K. Stiles and P. Selz, 396 and 489-498. Berkeley: University of California Press, 1996.
Images, Language and Belief in Synthesis
1995
Legrady, George. Images, Language and Belief in Synthesis In Critical Issues in Electronic Media, edited by Simon Penny: SUNY Press, 1995.
Ars Electronica 1995: Mythos Information - Welcome to the Wired World
1995
Dreher, Thomas, ed. Ars Electronica 1995: Mythos Information - Welcome to the Wired World. New York, Wien: Springer Verlag, 1995.
Neonudism
1997
Tenhaaf, Nell. Neonudism Parachute 85 (Jan/Feb/March 1997): 12-15.
Photography at the Interface
1996
Ascott, Roy. Photography at the Interface In Electronic Culture. Technology and Visual Representation, edited by Timothy Druckrey, 165-172. New York: Aperture, 1996.
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