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Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).

Moore, Lila. Fields of Networked Mind: Ritual Consciousness and the Factor of Communitas in Networked Rites of Compassion Technoetic Arts: A Journal of Speculative Research 13, no. 3 (December 2015): 331-339.

Moore, Lila. Techno-Spiritual Horizons: Compassionate Networked Art Forms and Noetic Fields of Cyborg Body and Consciousness Technoetic Arts: A Journal of Speculative Research 15, no. 3 (December 2017): 325-339.

Moore, Lila. Tombs and Reels of Consciousness: The Aesthetics that Interlinks Ancient Ritualistic Artefacts and Digital, Augmented and Virtual Reality https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2019.30 [08.07.2019].

Lavoslava Benčić. The virtual thematic route Emil Benčić : from experience to infinity https://isea2016.scm.cityu.edu.hk/openconf/modules/request.php?module=oc_program&action=view.php&id=265&type=4&a= ISEA International. (20): 20-26.

Lavoslava Benčić. Virtualna tematska pot Emil Benčić, od izkušenj do neskončnosti : tehnološke in teoretične podlage produkcije novomedijskega projekta http://repozitorij.ung.si/IzpisGradiva.php?id=1842 Master Thesis, Schol of Arts, Nova Gorica,

Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).

Sanchez Cardona, LM. An image no for the eyes made with words not for the ear In Folios Reverberations: Art and Sound in the MUAC Collections, edited by Israel MartínezMexico: University Museum of Contemporary Art MUAC, 2017.

Everitt, Dave. Is Creativity a ‘natural’ process? Consciousness Reframed: art and consciousness in the post-biological era (December 2011).

Michelin, Simone. Portfólio, DesConcerto. ECO-Pós “Televisão, produção, programação, recepção” v.7, no. n.1 (Jan-July 2004): 127- 133.