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The Scale of Immersion : Different audio-visual experiences exemplified by the 360° video Secret Detours
2018
... the 360° video Secret Detours Electronic Visualisation and the
Art
s (Juky 2018): 236-243.
The Scale of Immersion : Different audio-visual experiences exemplified by the 360° video Secret Detours
2018
... the 360° video Secret Detours Electronic Visualisation and the
Art
s (July 2018): 236-243.
E/M/D/L - European Mobile Dome Lab for
Art
istic Research (2013-15)
2015
...Schnell, Ruth and M
art
in Kusch. E/M/D/L - European Mobile Dome Lab for
Art
istic Research (2013-15) In Contemporary Code -
Art
istic Research, ...
EMDL European Mobile Dome Lab for
Art
istic Research
2015
... Poulin and Ruth Schnell. EMDL European Mobile Dome Lab for
Art
istic Research In ISEA2015 - 21st International Symposium on...
Micro
Art
s History 1984–85 Computer Generated
Art
and Stories: Computational
art
and story generators from the 1980s micro computer scene
2019
...Geoff Davis. Micro
Art
s History 1984–85 Computer Generated
Art
and Stories: Computational
art
and story generators from the 1980s micro computer...
Outside in: exile at home. An algorithmic discrimination system.
2020
...Annabel. Outside in: exile at home. An algorithmic discrimination system.
art
nodes 26, no. 26 (July 2020): 1-7.
Outside in: exile at home. An algorithmic discrimination system.
2020
...Annabel. Outside in: exile at home. An algorithmic discrimination system.
art
nodes 26, no. 26 (July 2020): 1-7.
Outside in: exile at home. An algorithmic discrimination system.
2020
...Annabel. Outside in: exile at home. An algorithmic discrimination system.
art
nodes 26, no. 26 (July 2020): 1-7.
Outside in: exile at home. An algorithmic discrimination system.
2020
...Annabel. Outside in: exile at home. An algorithmic discrimination system.
art
nodes 26, no. 26 (July 2020): 1-7.
Outside in: exile at home. An algorithmic discrimination system.
2020
...Annabel. Outside in: exile at home. An algorithmic discrimination system.
art
nodes 26, no. 26 (July 2020): 1-7.
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