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Grau, Oliver. A história da telepresenca: automatos, ilusao e a rejeicao do corpo In Corpos Virtuais, edited by Ivana Bentes, 112-117. Rio de Janeiro, Brazil: Centro Cultural Telemar, 2005.

Cadet, France. Digital Arts, Tendencies, Artists, Places and Festivals MCD et M21 Editions (2008).

Biggs, Simon and Penny Travlou. Distributed Authorship and Creative Communities Dichtung Digital (online) 41 (2012).

Grau, Oliver. Kunst als Inspiration medialer Evolution. Überwindungsversionen der Kinoleinwand vom Stereopticon zur Telepräsenz In Das bewegte Bild: Film und Kunst, edited by Thomas Hensel and Klaus Krüger and Tanja Michalsky, 419 - 448. München:

Biggs, Simon and Mariza Dima and Henrik Ekeus and Sue AND Timmons Hawksley and Mark Wright. The "H" in HCI: Enhancing Perception of Interaction through the Performative In Virtual and Mixed Reality, edited by R. ShumakerVol.LNCS 5622. , 3-12.

Biggs, Simon. Multimedia, Multiculturalism, Language and the Avantgarde http://littlepig.org.uk/texts/epoetry.htm[12.04.2015.

Bruno, Christophe. Video interview by Cyril Thomas .

Boredomresearch. Snail Mail Gets Literal Time Magazine 172, no. 5 (August 2008).

Brucker-Cohen, Jonah. Real Snail Mail Turns Email into Slower Email .

Boredomresearch. NETworking Net Art In Computer Fine Art Collection, edited by Illana Tenenbaum and Christiane Paul, 20. Haifa: Haifa Museum of Art, 2007.