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Hauser, Jens. Greenness: Sketching the Limits of a Normative Fetish In The Aesthetics of Necropolitics, edited by Natasha LushetichVol.4. Experiments/On the Political, , 97-118. London: Rowman & Littlefield Publishers, 2018.

Benayoun, M.. Art Collider: Towards Transactional Aesthetics AAO Project Conference Proceedings (2011).

Berlot, Uršula. Duchamp and the Notion of Optical Tactility Art, Emotion and Value. 5th Mediterranean Congress of Aesthetics. University of Murcia (2011).

Berlot, Uršula. Myth and Aesthetic Experience Kolaps: Economia, Philosophia, Isu, Scientia , no. 8/9 (1998): p. 90 – 96.

Puncer, Mojca. Sodobna umetnost in estetika/Contemporary Art and Aesthetics Ljubljana: Publicistično društvo ZAK, Maribor: Pedagogic Faculty (2010).

Robles-Angel, Claudia. The Human Body as an Audiovisual Instrument. Sound and Image Aesthetics and Practices. Andrew Hill editor, Routledge. ISBN 9780367271466. 1st (2020): chapter 21.

Roh, Soh Yeung and Namhee Park, ed. ISEA 2019 - Lux Aeterna. Seoul: Art center Nabi, 2019.

Sanchez Cardona, LM. The making of a nomenclature: José Iges on Radiophonic Art In Radio Art and Music. Culture, Aesthetics, Politics, edited by Pim Verhulst and Jarmila MildorfLondon: Lexington Books, 2020.

Moore, Lila. Tombs and Reels of Consciousness: The Aesthetics that Interlinks Ancient Ritualistic Artefacts and Digital, Augmented and Virtual Reality https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2019.30 [08.07.2019].

Michelin, Simone and Paulo Herkenhoff and Gloria Ferreira and Arlindo Machado and Tadeu Capistrano, ed. Luciferinas : Simone Michelin (Luciferins : Simone Michelin) . Vol.57. Arte e Tecnologia, first th ed.Rio de Janeiro: Aeroplano; Instituto Oi