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Robles, Claudia. Audiovisual: Perspectivas de una entidad indivisible. IDEAS SONICAS, CMMAS , no. 14 (2015): 19 -23..

Caviezel, Flavia & Schwander, Markus and Pat Badani, ed. Eighty Seven Questions About Artistic Research. Vol.ELIA Conference: Economies of aesthetics. https://issuu.com/swissartisticresearchnetwork/docs/170602_sarn_87-questions_epub_doppe th

Anker, Suzanne. Naturally Hypernatural Antennae: Naturally Hypernatural , no. 33 (2015): 6-18.

Fleischmann, Monika and Wolfgang Strauss. Liquid Views and the Unconscious Perception In Analyzing Art, Culture, and Design in the Digital Age, edited by Gianluca

Kluszczynski, Ryszard W.. DYNAMIC SPACES OF EXPERIENCE. ON THE ART OF MIROSŁAW ROGALA https://www.academia.edu/4252004/Dynamic_Spaces_of_Experience._On_the_Art_of_Miroslaw_Rogala [28.01.2015].

Arns, Inke. Interaktion, Partizipation, Vernetzung: Kunst und Telekommunikation http://www.medienkunstnetz.de/themen/medienkunst_im_ueberblick/kommunikation/5/ [18.08.2015].

Pearlman, Ellen. The Brain As Site Specific Surveillant Performative Space International Journal of Performance Arts and Digitial Media 11,Issue 2 (November 2015).

Hirsch, Robert, ed. Exploring Color Photography. From Film to Pixels. 6 th ed.New York/London: Focal Press, 2015.

Lavoslava Benčić. Grafični zvok - sinteza zvoka s svetlobo. Medijska vzgoja in produkcija. [Spletna izd.] , no. 1 (jan./dec 2015): 6.

Eidsheim, Nina Sun. Sensing Sound: Singing and Listening as Vibrational Practice. United States of America: Duke University Press, 2015.