Archive Search

Ascott, Roy. Art and Telematics: Towards a Network Consciousness / Kunst und Telematik / L´Art et le télématique In Art + Telecommunication, edited by Heidi Grundmann, 25-67. Vancouver: The Western Front, 1984.

Weibel, Peter. Die digitale Bildrevolution In Leuchtspuren. Holographie, Licht und Computer. Kampnagelfabrik, Halle O, Hamburg vom 23.3. bis 5.5.1985, edited by Gabriele Juschka-KaiserHamburg, DE: Rheinland-Verlag, 1985.

Collins, Susan. Inhabited ConTime. Artists pages Millennium Film Journal (Winter 2003).

Ascott, Roy. Art and Education in the Telematic Culture / Kunst und Erziehung in der telematischen Kultur In Synthesis - Visual Arts in the Electronic Culture / Die visuellen Künst in der elektronischen Kultur., edited by M. Eisenbeis and H.

Benayoun, Maurice. La genèse du réalisme interactif, fausse nouvelle In Conférence du CRI université de Paris 1, Paris: 1995.

... In Prix Ars Electronica 95, Internationales Kompendium der...

Weibel, Peter. Der Bruch des Bildes. Vom Tafelbild zum Bildschirm In Computer art faszination, edited by Dotzler Medien Institut, 25-31. Frankfurt/Main: Suhrkamp, 1990.

Ascott, Roy. Is there Love in the Telematic Embrace? Behaviourables and Futuribles In Theories and Documents of Contemporary Art, edited by K. Stiles and P. Selz, 396 and 489-498. Berkeley: University of California Press, 1996.

Legrady, George. Images, Language and Belief in Synthesis In Critical Issues in Electronic Media, edited by Simon Penny: SUNY Press, 1995.

Ascott, Roy. Photography at the Interface In Electronic Culture. Technology and Visual Representation, edited by Timothy Druckrey, 165-172. New York: Aperture, 1996.