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Weibel, Peter. Vom Verschwinden der Ferne. Telekommunikation und Kunst In Vom Verschwinden in der Ferne, edited by Peter Weibel and Edith DeckerKöln, DE: DuMont Reiseverlag, 1990.

Badler, Norman and D. Metaxas and B. Webber and M. Steedman. The Center for Human Modeling and Simulation Presence 4, no. 1 (1995): 81-96.

Von Amelunxen, Hubertus and Florian Rötzer, ed. Photography after the Photography. Memory and Representation in the
Digital Age. Amsterdam: Art Stock, 1996.

Asiomanoff, Florent. Osmose: L´univers de Char Davies Nov´Art , no. 18 (Fall 1995): 12.

Banville, Annie-Claude. La polysensorialité dans Osmose de Char Davies In Jeunes chercheurs du CELAT, Montreal: 2000.

Pape, Helmut. Die Unsichtbarkeit der Welt. Eine visuelle Kritik neuzeitlicher Ontologie. Frankfurt/Main: Suhrkamp, 1997.

Pommier, Edouard. Théories du portrait. De la Renaissance aux Lumières. Paris: Gallimard, 1998.

Stafford, Barbara M.. Artful Science: Enlightenment Entertainment and the Eclipse of Visual
Education. Cambridge, MA: The MIT Press, 1994.

Legrady, George and Brigitte Steinheider. Realizing a Digital Media Installations: Problems and Synergetic
Effects of an Interdisciplinary Collaboration In Proceedings of MTAC 2001, Multimedia Technology and Applications, UC Irvine, , 255-260....

Dove, Toni. Mesmer The Drama Review (TDR) (Summer 1992): 62-76.