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Didi-Huberman, Georges. Was wir sehen, blickt uns an: Zur Metapsychologie des Bildes. München: Wilhelm Fink Verlag, 1999.

Elkins, James. Visual Studies: A Skeptical Introduction. New York: Routledge, 2003.

Fleischmann, Monika and Shaw Jeffrey. Digitale Muse Internet? / Digital Muse Internet? In Perspektiven der Medienkunst/ Perspectives of Media Art, edited by Hans Peter SchwarzOstfildern-Ruit: Edition ZKM and Cantz Verlag, 1996.

Fortin, Sylvie and Sue Ditta, ed. Strange Attractors: A History of Video Production and Presentation in Ottawa. : 2000.

Kemp, Martin. Visualizations: The Nature Book of Art and Science. Berkeley, Los Angeles: University of California Press, 2000.

Maharaj, Sarat. Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production and the Retinal Regimes In Documenta 11, Ostfildern-Ruit: Hatje Cantz, 2002.

Bruno, Giuliana. Atlas of Emotions : Journeys in Art, Architecture, and Film. London, New York: Verso, 2002.

Penny, Simon and Bill Vorn. Bedlam and Other Robotic Art Projects In Subtle Technologies 03, edited by Jim Ruxton and Tania ThompsonUniversity of Toronto, Toronto: 2003.

Angerer, Marie-Luise and Kathrin Peters and Zoe Sofoulis, ed. Future Bodies: Zur Visualisierung von Körpern in Science und Fiction. New York, Wien: Springer, 2002.

Silveira, Walter et. al.. Art tecnologia.br. Série televisual em video-home .