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Gene Culture: Molecular Metaphor in Visual Art
2000
Anker, Suzanne. Gene Culture: Molecular Metaphor in Visual Art Leonardo 33 , no. 5 (2000): 371-375.
Das allusive Auge. Illusion, Anti-Illusion, Allusion
2003
Weibel, Peter. Das allusive Auge. Illusion, Anti-Illusion, Allusion In Fast Forward, edited by Ingvild Goetz, 10-12. Ostfildern-Ruit: Hatje Cantz Verlag, 2003.
Identity in Cyberspace: Pilot Project for a European Cyberspace Collegium
1996
Ascott, Roy. Identity in Cyberspace: Pilot Project for a European Cyberspace Collegium. Brusseles: Commission of the European Communities, D.G.XXII, Brussels, 1996.
Video als Raumkunst
1992
... Kunst, Kultur. Ein
international
er Reader, edited by...
Videotechnik und Filmästhetik, Anmerkungen zur Zukunftsindustrie
1984
Weibel, Peter. Videotechnik und Filmästhetik, Anmerkungen zur Zukunftsindustrie In Osnabrücker Experimentalfilmworkshop 1984 (Script), edited by Jochen Coldewey, 150-168. Osnabrück, DE: 1984.
Die Ästhetik der digitalen Kunst
1985
Weibel, Peter. Die Ästhetik der digitalen Kunst In Computerkunst, edited by Kulturverband FavoritenWien: 1985.
Estética de la Tecnoética: El arte y la construcción de la realidad
1997
Ascott, Roy. Estética de la Tecnoética: El arte y la construcción de la realidad In Arte Virtual Realidad Plural., edited by Karin Ohlenschläger, 33-44. Monterrey, Mexiko: Museo de Monterrey, 1997.
The Actual and the Imagined
2004
Collins, Susan. The Actual and the Imagined In Networked Narrative Environments as Imaginary Spaces of Being, edited by Andrea ZappManchester: Cornerhouse Publications, 2004.
Intabyu
1997
Ascott, Roy. Intabyu In The Multimedia and Cultural Evolution, edited by M. Sekiguchi, 94-99. Tokyo, Japan: Nippon Telegraph and Telephone Publishing Co. Ltd., 1997.
Der Xerox und das Unendliche
1991
Baudrillard, Jean. Der Xerox und das Unendliche In Cyberspace. Zum medialen Gesamtkunstwerk, edited by Florian Rötzer and Peter WeibelGrafrath: Boer Verlag, 1991.
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