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  • Spalter, Anne Morgan. The Computer in the Visual Arts. Boston, MA: Addison-Wesely Longman Publishing Co., 1998.
  • Sommerer, Christa and Laurent Mignonneau. Art and Science - A Model of a New Dynamic Interrelation In Art @ Science, edited by Christa Sommerer and Laurent Mignonneau, 7-23. New York, Wien: Springer Verlag, 1998.
  • Zapp, Andrea. In Search for the Cyber Heroes In Short Film Festival Oberhausen, Festival Catalogue, , 56-58. Oberhausen, DE: 1997.
  • Zapp, Andrea. Last Entry: No User - No Project In Correspondance, edited by Leipziger Jahresausstellung, 30-33. Leipzig, DE: 1999.
  • Davies, Char. Natural Artifice In Virtual Seminar on the Bioapparatus, edited by Mary Anne MoserBanff, Canada: The Banff Centre for the Arts, 1991.
  • Davies, Char. Techne as poiesis: Seeking Virtual Ground edited by Roy Ascott, 28. : University of Wales, Newport, 1997.
  • Zapp, Andrea. A Sense of Weightlessness In Urban Cycles, edited by Galina Dimitrova and Anneke Pettican and Steve Symons, 42-50. Manchester, UK: i3 Publications, 2003.
  • Zapp, Andrea. Networked Narrative Environments In ACM Siggraph Computer Graphics Conference/Networked Performance: How Does Art Affect Technology and Vice Versa, Los Angeles, CA: 2005.
  • Zapp, Andrea. Networked Narrative Environments as Imaginary Spaces of Being. Manchester, Liverpool: Manchester Metropolitan University and Foundation for Art and Creative Technology, FACT, 2004.
  • Davies, Char and John Harrison. Osmose: Towards Broadening the Aesthetics of Virtual Reality Computer Graphics (ACM SIGGRAPH) 30, no. 4 (1996): 25-28.