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Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit.
1980
Benjamin, Walter. Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. In Gesammelte Schriften, Band I, Werkausgabe Band 2, edited by Rolf Tiedemann and Hermann Schweppenhäuser, 431-469. Frankfurt am Main: Suhrkamp, 1980.
Notes sur l´oeuvre interactive
1997
Benayoun, Maurice. Notes sur l´oeuvre interactive (1997).
Jenny Holzer, Multidisciplinary Dweeb
1994
Snider, Burr. Jenny Holzer, Multidisciplinary Dweeb Wired 2.02 (February 1994).
Ars Electronica 1994 Award Winners
1994
Bond, Fran. Ars Electronica 1994 Award Winners access 8, no. 2 (1994): 28.
Ars Electronica 1993
1993
Bureaud, Annick. Ars Electronica 1993 Art Press (Septembre 1993).
Interactive Narrative as a Multi-temporal Agency
2003
Del Favero, Dennis and Neil Brown and Jeffrey Shaw and Weibel, Peter. Interactive Narrative as a Multi-temporal Agency In Future Cinema, edited by Jeffrey Shaw and Peter Weibel, 312-315. Cambridge, MA: MIT Press, 2003.
Down Under
2000
Barragan, Francisco. Down Under Lapiz 19, no. 164 (June 2000).
Fantasmi
2004
Bennett, Jill and Dennis Del Favero. Fantasmi. Sydney, AUS: UNSW Press, 2004.
The Abject in Contemporary Photo-Works: Borderline States of Corporeal Affect
2002
The Abject in Contemporary Photo-Works: Borderline States of Corporeal AffectAuthor: Bullock, Natasha
The Art of Real Time
2001
Palmer, Daniel. The Art of Real Time In Politics of a Digital Present: An Inventory of Australian Net Culture, Criticism and Theory, edited by Hugh Brown and Geert Lovink and Helen et. al. Merrick, 215-223. Melbouren, AUS: Fibreculture, 2001.
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