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The Boundary Rider: 9th Biennale of Sydney
1992
Bond, Anthony, ed. The Boundary Rider: 9th Biennale of Sydney. Sydney: Biennale of Sydney, 1992.
Inventing Reality (HTL Memo No. M-89-2)
1989
Bricken, Meredith. Inventing Reality (HTL Memo No. M-89-2). Seattle: 1989.
Biologie und Fake Life Construction - Kommunikationssplitter aus dem Netzsymposium zu LifeScience
1999
Richard, Birgit. Biologie und Fake Life Construction - Kommunikationssplitter aus dem Netzsymposium zu LifeScience In Ars Electronica 1999: LifeScience, edited by Gerfried Stocker and Christine Schöpf, 30-46. Wien, New York: Springer Verlag,
Das Publikum will Technik sehen. Der Künstler und Medientheoretiker Peter Weibel über die Wechselwirkung von Computern und Kunst
2000
Weibel, Peter. Das Publikum will Technik sehen. Der Künstler und Medientheoretiker Peter Weibel über die Wechselwirkung von Computern und Kunst Die Welt (February 25th 2000): 34.
M_ARS, Kunst und Krieg
2003
Weibel, Peter and Günther Holler-Schuster, ed. M_ARS, Kunst und Krieg. Ostfildern-Ruit: Hatje Cantz, 2003.
Datenbank für Virtuelle Kunst
2004
Grau, Oliver and Ulrike Reinhard. Datenbank für Virtuelle Kunst In Digitale Transformationen. Medienkunst als Schnittstelle von Kunst, Wissenschaft, Wirtschaft und Gesellschaft, edited by Monika Fleischmann, 207-209. Heidelberg: Whois Verlag, 2004.
Victims Symptom - PTSD and Culture
2009
Peraica, Ana, ed. Victims Symptom - PTSD and Culture. INC Readers, Amsterdam: Institute for Networked Culture, 2009.
The Composite State of Being - Notes on the Technoetic Implication of Mixed Reality
2001
Frauenhofer Institute for Media Communication, ed. The Composite State of Being - Notes on the Technoetic Implication of Mixed Reality. Sankt Augustin: 2001.
Sugar and Spice
1993
Anderson, Michael. Sugar and Spice Art Issues (May/June 1993).
Love @ 1st Byte
1992
Hsin Hsin, Lin. Love @ 1st Byte. Singapore: World Scientific Pub., 1992.
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