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Osmose: Notes on Being in Immersive Virtual Space
2002
... Creativity: A Reader, edited by Colin
Bear
don and Lone Malmborg, 101-110. Lisse: Swets...
Building An Ultimate Art Museum on
the
Web
1997
...Hsin Hsin, Lin. Building An Ultimate Art Museum on
the
Web In Museums and
the
Web 1997: Proceedings, ...
the
Web 1997: Proceedings, edited by D.
Bear
man and J. TrantLos Angeles, California:...
Virtual Reality and
the
The
atre: Immersion in Virtual Worlds
1999
...Reaney, Mark. Virtual Reality and
the
The
atre: Immersion in Virtual Worlds Digital Creativity 10, no....
Virtual Scenography:
The
Actor/Audience/Computer Interface
1996
...Reaney, Mark. Virtual Scenography:
The
Actor/Audience/Computer Interface
The
atre Design and Technology ...
The
The
atre of Virtual Reality
1992
...Reaney, Mark.
The
The
atre of Virtual Reality
The
atre Design and Technology XXIX, no. 2 (Spring 1992):...
The
atre of Restless Automata review on boredomresearchs' solo exhibition at Peterborough Digital Arts
2006
...Boredomresearch.
The
atre of Restless Automata review on boredomresearchs' solo exhibition at...
Digital Performance: A History of New Media in
The
atre, Dance, Performance Art and Installation
2007
...teve. Digital Performance: A History of New Media in
The
atre, Dance, Performance Art and...
The
ory and Practice of Media Art: Aes
the
tic Parergons and Perspectives
2010
...Kisseleva, Olga and Oliver Grau.
The
ory and Practice of Media Art: Aes
the
tic Parergons and Perspectives...
The
Naked Bandit in
the
The
atre of Visibilities. Control, Attention and Performance in Recent Projects by Knowbotic Research
2010
...Broeckmann, Andreas.
The
Naked Bandit in
the
The
atre of Visibilities. Control, Attention and...
Schwelle: Sensor Augmented, Adaptive Sound Design for Live
The
atrical Performance
2007
... Augmented, Adaptive Sound Design for Live
The
atrical Performance In Proceedings for
the
...
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