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The brain as a hackable driver
2016
Ellen Pearlman. The brain as a hackable driver https://archive.org/details/livestream-131669108.
Dara and Surrealism
2009
Kinney, Tulsa. Dara and Surrealism https://artillerymag.com/data-surrealism/.
Voices Gestures Contact
2011
Farulli, Luca. Voices Gestures Contact In Performing Data: Monika Fleischmann + Wolfgang Strauss, edited by Miękus Vol.http://www.artlinecatalogue.eu/event-performing-data.html.
Aromapoetry Video
2011
Kac, Eduardo. Aromapoetry Video https://www.ekac.org/aromapoetry.mov.
Eduardo Kac’s Télescope intérieur
2017
Heartney, Eleanor. Eduardo Kac’s Télescope intérieur https://www.ekac.org/heartney_telescope_interieur.html.
Luciferins: Simone Michelin
2012
Michelin, Simone. Luciferins: Simone Michelin https://issuu.com/simonemichelin/docs/michelin-luciferinas_08f00c167e72c5.
Interview with Heath Bunting
1997
Bosma, Josephine. Interview with Heath Bunting https://www.heise.de/tp/features/Interview-with-Heath-Bunting-3446062.html [05.07.2017].
Support For New Media Arts In Canada: What Place For Artists?
2002
Burgess, Marilyn. Support For New Media Arts In Canada: What Place For Artists? Site Street, online journal (Fall 2002).
Making Visible the Invisible
2010
Gil, Iker. Making Visible the Invisible https://mascontext.com/issues/information/making-visible-the-invisible.
Eighty Seven Questions About Artistic Research
2015
Caviezel, Flavia & Schwander, Markus and Pat Badani, ed. Eighty Seven Questions About Artistic Research. Vol.ELIA Conference: Economies of aesthetics. https://issuu.com/swissartisticresearchnetwork/docs/170602_sarn_87-questions_epub_doppe th
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