Archive Search

  • Allen, Rebecca and Erkki Huhtamo. I Always Like to Go Where I Am Not Supposed to Be In Women, Art, and Technology, edited by Judy Malloy, 224-241. Cambridge, MA: Massachusetts Institute of Technology, 2003.
  • Fischnaller, Franz. Multi Mega Book in the Cave In XXXIV Incontri Di Sorrento Del Cinema e dell´Audiovisio, edited by Gennarelli Bideri, 35-36. Naples: 1999.
  • Fleischmann, Monika and Wolfgang Strauss. Imagine a Space Filled with Data In Women, Art and Technology, edited by Judy Malloy, 111-112. Cambridge, MASS: MIT Press, 2003.
  • Tenhaaf, Nell. Production and Reproduction In Women, Art, and Technology, edited by Judy Malloy, 362-375. Cambridge, MA: The MIT Press, 2003.
  • Fischnaller, Franz. Tracking The Net, Interactive Art In IX Festival internacional de video y multimedia de Canarias, Mediafest, edited by Canarias Mediafest, 123-128. Canarias, Spain: 2000.
  • RMN, ed. 3e Biennale d´Art contemporain de Lyon - Catalogue de l´exposition du Musée d´Art Contemporain de Lyon (Dec. 1995 - Fev. 1996). Lyon: RMN - Reunion des Musees Nationaux Editions, 1995.
  • Lozano-Hemmer, Rafael. Arte Virtual y Reactivo In Catálogo de Arte Virtual, Madrid, ES: Electa Edition, 1994.
  • Licklider, Joseph Carl Robnett. The Computer as a Communication Device Science and Technology (April 1968).
  • Grant Marchand, Sandra. Char Davies: Osmose In Project Series, exhibition catalogue Musée d´art contemporain de Montréal, : 1995.
  • Morse, Margaret. Virtually Female: Body and Code In Processed Lives: Gender and Technology in Everyday Life, edited by Jennifer Terry and Melodie CalvertNew York: Routledge Champman and Hall, 1997.