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Peristrephic Pleasures, or the Origins of the Moving Panorama
2004
... Communication: Intermedial Concerns from
Cine
ma to the Digital, edited by Jan Olsson and...
Media Art in the Third Dimension: Stereoscopic Imaging and Contemporary Art
2003
... Imaging and Contemporary Art In Future
Cine
ma, edited by Jeffrey Shaw and Peter Weibel,...
Re-Writing the History of Media Art: From Personal
Cine
ma to Artistic Collaboration
2007
... the History of Media Art: From Personal
Cine
ma to Artistic Collaboration Leonardo 40, no....
Political Strategies in Polish Popular
Cine
ma
1993
... W.. Political Strategies in Polish Popular
Cine
ma In Z problemów poetyki filmu, edited by...
Sustainable
Cine
ma No. 4: Shadow Play
2012
...Hessels, Scott. Sustainable
Cine
ma No. 4: Shadow Play Leonardo 4, no. 40 (2012): 384-395.
Sustainable
Cine
ma: The Moving Image and the Forces of Nature
2012
...Hessels, Scott. Sustainable
Cine
ma: The Moving Image and the Forces of Nature In Biologically-Inspired...
GPS Film:
Cine
ma’s Latest Revolutio
2009
...Hessels, Scott. GPS Film:
Cine
ma’s Latest Revolutio proceedings of SIGGRAPH: The 36th International...
Stories on the Run: Narrative Structures for Mobile
Cine
ma
2009
... the Run: Narrative Structures for Mobile
Cine
ma published in Proceedings of ISEA 2009, The...
Between Page and Screen: Remaking Literature through
cine
ma and cyberspace
2012
... and Screen: Remaking Literature through
cine
ma and cyberspace. New York: Fortham...
Blow-Up: Photography,
Cine
ma and the Brain
2003
...ich, Warren and Norman Bryson. Blow-Up: Photography,
Cine
ma and the Brain. Riverside, CA: Distributed...
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