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Displaced Emperors, Relational Architecture 2
1997
Lozano-Hemmer, Rafael. Displaced Emperors, Relational Architecture 2 In Ars Electronica 1997: Fleshfactor / Informationsmaschine Mensch, edited by Gerfried Stocker and Christine SchöpfLinz: 1997.
The Ultimate Display
1965
Sutherland, Ivan E.. The Ultimate Display In Proceedings of International Federation of Information Processing, , 506-508. : 1965.
The Information Bomb (Radical Thinkers)
2006
Virilio, Paul. The Information Bomb (Radical Thinkers). London, UK: Verso Verlag, 2006.
Information Arts: Intersections of Art, Science, and Technology
2003
Wilson, Stephen. Information Arts: Intersections of Art, Science, and Technology. Cambridge, MA: The MIT Press, 2003.
Innocence and
Awaken
ing: Cyberdämmerung at the Ashibe Research Laboratory
1995
...Stone, Allucquére Rosanne. Innocence and
Awaken
ing: Cyberdämmerung at the Ashibe Research Laboratory In...
Interactive Narrative as a Form of Recombinatory Search in the Cinematic Transcription of Televisual Information
2003
Del Favero, Dennis and Neil Brown and Jeffery Shaw and Weibel, Peter. Interactive Narrative as a Form of Recombinatory Search in the Cinematic Transcription of Televisual Information. : 2003.
Avidya: Non-Knowledge Production in the scene of Visual arts Practice
2001
Maharaj, Sarat. Avidya: Non-Knowledge Production in the scene of Visual arts Practice In Education, Information, Entertainment - Current Approaches to Higher Artistic Education, edited by Ute Meta BauerVienna: Selene Verlag, 2001.
The Display as a Looking-Glass: Zu Ivan E. Sutherlands früher Vision der grafischen Datenverarbeitung
2003
Nake, Frieder. The Display as a Looking-Glass: Zu Ivan E. Sutherlands früher Vision der grafischen Datenverarbeitung In Visionen, Pardigmen und Leitmotive in der Geschichte der Informatik, edited by Hans Dieter HelligeBerlin, Heidelberg, New York:
From Energy to Information: Representation in Science and Technology, Art, and Literature
2002
Henderson, Linda Dalrymple and Bruce Clarke, ed. From Energy to Information: Representation in Science and Technology, Art, and Literature. Stanford: Stanford University Press, 2002.
Cybernetics and Art: Cultural Convergence in the 1960s
2002
Shanken, Edward A.. Cybernetics and Art: Cultural Convergence in the 1960s In From Energy to Information: Representation in Science, Technology, Art, and Literature, edited by Linda Dalrymple Henderson and Bruce Clarke, 255-277. Palo Alto, CA:
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