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Lunenfeld, Peter. Char Davies Art + Text 53 (1996): 82-83.

Lyall, Marta. Traversing the Wilderness of Body In Shifting Ground: Transformed Views of the American Landscape, edited by Rhonda Lane HowardWashington DC: Henry Art Gallery and University of Washington, 2000.

Yuxweluptun, Lawrence Paul. Inherent Rights, Vision Rights In Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser and Douglas MacLeod, 315-318. Cambridge, MA: The MIT Press, 1996.

Sommerer, Christa and Laurent Mignonneau. La importancia de los institutos mediaticos de caracter interdisciplinario In Cibervisión 99: Arte Ciencia Nuevas Tecnologias: I Muestra Internacional, edited by Karin Ohlenschläger, 34-41. Madrid:

Naimark, Michael. Field Recording Studies In Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser and Douglas MacLeodCambridge, MA: MIT Press, 1996.

Tauti, Lorenzo. Corpi sognanti. L'arte nell'epoca delle tecnologie digitali. Milano, IT: Feltrinelli Editore, 2001.

Whittemore, Hank. Your Future Self: A Journey to the Frontiers of Molecular Medicine. London, UK: Thames and Hudson, 1998.

Watts, Judy. Experimental Design and Testing of Visualization in Data Mining Profiles in Research, UCSB (2002).

Nestelbacher, Reinhard. Green or How a Light Turns the World Upside Down / Green oder wie ein Licht die Welt verdreht In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried

Legrady, George. Modular Structure and Image/ Sequences: Comics and Interactive Media In Comics Culture: Analytical and Theoretical Approaches to Comics, edited by A. Magnussen and H.-C. Christianesen, 79-90. Copenhagen: Tusculanum Press, 2000.