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Wissen und Vision. Neue Schnittstellentechnologien der Wahrnehmung
2000
Weibel, Peter. Wissen und Vision. Neue Schnittstellentechnologien der Wahrnehmung In Weltwissen Wissenswelt. Das globale Netz von Text und Bild, edited by Christa Maar and Hans-Ulrich Obrist and Ernst Pöppel, 66-73. Köln, DE: 2000.
Wirklichkeitsdiffusion. Wirklichkeitserfahrungen in der Kunst zwischen hyperreal und hypermedial
2000
Weibel, Peter. Wirklichkeitsdiffusion. Wirklichkeitserfahrungen in der Kunst zwischen hyperreal und hypermedial In Hypermental. Wahnhafte Wirklichkeit 1950 - 2000 von Salvador Dali bis Jeff Koons, edited by Bice Curiger and Christoph Heinrich,
Winner of
The
Prix Net Art, 2014: JODI
2014
... Winner of
The
Prix Net Art, 2014: JODI...
WindWalker: using Wind as an orientation tool in virtual environments
2009
DOMINGUES, DIANA MARIA G and Anderson MACIEL and Henrique DEBARBA and Jeronimo G GRANDI and Luciana P NEDEL. WindWalker: using Wind as an orientation tool in virtual environments SVR 2009 – XI Symposium on Virtual And Augmented Reality (2009):
Window Shopping: Cinema and
the
Postmodern
1994
... Shopping: Cinema and
the
Postmodern. Berkeley, CA:...
Will
the
Real Body Please Stand Up? Boundary Stories about Virtual Cultures
1992
...tone, Allucquére Rosanne. Will
the
Real Body Please Stand Up?...
Wie man sieht...Kunst mit Fotografie und andere mediale EskapadenDie Kunsthochschule für Medien Köln zu Gast im Museum Ludwig vom 07.07.-19.09.2000
2000
Zielinski, Siegfried and Kerstin Bergmann, ed. Wie man sieht...Kunst mit Fotografie und andere mediale Eskapaden Die Kunsthochschule für Medien Köln zu Gast im Museum Ludwig vom 07.07.-19.09.2000.
Why Do We Want Our Machines to Seem Alive?
1995
Penny, Simon. Why Do We Want Our Machines to Seem Alive? Scientific American, 150th anniversary issue (September 1995).
Why a poem in space?
2017
... Espace(s)CNES -
The
Space Observatory ...
Who´s Afraid of Cyberspace
1995
... of Cyberspace Tate:
The
Art Magazine 6 (Summer...
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