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Year Zero: Museums as Technoetic Time Machines
2021
Moore, Lila. Year Zero: Museums as Technoetic Time Machines [].
Year in Review, Wired for 3D: Best of 96
1996
Dove, Kelly. Year in Review, Wired for 3D: Best of 96 3D Design II (12) (December 1996): 31.
Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production and the Retinal Regimes
2002
Maharaj, Sarat. Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production
and the Retinal Regimes In Documenta 11, Ostfildern-Ruit: Hatje Cantz, 2002.
WYSIWyG or WYGIWyS? (What you see is what you get or what you get is what you see?
2004
Beiguelman, Giselle. WYSIWyG or WYGIWyS? (What you see is what you get or what you get
is what you see? In pOes1s. Ästhetik digitaler Poesie, edited by Friedrich W. Block and Christiane Heibach and Karin WenzOstfildern-Ruit: Hatje Cantz, 2004.
Worlds Apart - Realities, Virtual and Otherwise
2001
Wertheim, Margaret. Worlds Apart - Realities, Virtual and Otherwise LA Weekly (May 18-24 2001): 37.
Worldmaking as Techné: Participatory Art, Music, and Architecture
2018
Hosale, Mark-David and Sana Murrani and Alberto de Campo, ed. Worldmaking as Techné: Participatory Art, Music, and Architecture. Toronto: Riverside Architectural Press, 2018.
World Wide Video Festival, Catalogue 16th
2000
World Wide Video Festival, ed. World Wide Video Festival, Catalogue 16th. Vol.16th. 2000 th ed.Amsterdam, The Netherlands: World Wide Video Festival, 2000.
World Wide Video Festival, Catalogue 14th
1996
World Wide Video Festival, ed. World Wide Video Festival, Catalogue 14th. 1996 th ed.Amsterdam, The Netherlands: World Wide Video Festival, 1996.
World Wide Video Festival, Catalogue 13th
1995
World Wide Video Festival, ed. World Wide Video Festival, Catalogue 13th. 1995 th ed.Amsterdam, The Netherlands: World Wide Video Festival, 1995.
World Skin, a photo safari in the Land of War
2008
Benayoun, Maurice. World Skin, a photo safari in the Land of War sk-Interfaces (2008).
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