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Das Bewegungs-Bild (Kino I)
1989
Deleuze, Gilles. Das Bewegungs-Bild (Kino I). Frankfurt/Main: Suhrkamp, 1989.
Expression of Emotion, Unconsciousness with Art and Technology
2000
Tosa, Naoko. Expression of Emotion, Unconsciousness with Art and Technology In Affective Minds, edited by Giyoo Hatano and Naoyuki Okada and Hiritaka Tanabe, 183-201. Philadelphia: Elsevier Science Health Science Division, 2000.
Die digitale Bildrevolution
1985
Weibel, Peter. Die digitale Bildrevolution In Leuchtspuren. Holographie, Licht und Computer. Kampnagelfabrik, Halle O, Hamburg vom 23.3. bis 5.5.1985, edited by Gabriele Juschka-KaiserHamburg, DE: Rheinland-Verlag, 1985.
Inhabited ConTime. Artists pages
2003
Collins, Susan. Inhabited ConTime. Artists pages Millennium Film Journal (Winter 2003).
Art and Education in the Telematic Culture / Kunst und Erziehung in der telematischen Kultur
1989
Ascott, Roy. Art and Education in the Telematic Culture / Kunst und Erziehung in der telematischen Kultur In Synthesis - Visual Arts in the Electronic Culture / Die visuellen Künst in der elektronischen Kultur., edited by M. Eisenbeis and H.
Synthèse du réalisme interactif
1995
Benayoun, Maurice. Synthèse du réalisme interactif .
Everyday Stories
1980
Legrady, George. Everyday Stories. : 1980.
Öffentliche Bilder und Bilder der Macht
1988
Weibel, Peter. Öffentliche Bilder und Bilder der Macht In Ars Electronica 1988: Kunst der Szene, edited by Gottfried Hattinger and Peter Weibel, 247-251. Linz: Gutenberg-Werbering, 1988.
Der Bruch des Bildes. Vom Tafelbild zum Bildschirm
1990
Weibel, Peter. Der Bruch des Bildes. Vom Tafelbild zum Bildschirm In Computer art faszination, edited by Dotzler Medien Institut, 25-31. Frankfurt/Main: Suhrkamp, 1990.
Is there Love in the Telematic Embrace? Behaviourables and Futuribles
1996
Ascott, Roy. Is there Love in the Telematic Embrace? Behaviourables and Futuribles In Theories and Documents of Contemporary Art, edited by K. Stiles and P. Selz, 396 and 489-498. Berkeley: University of California Press, 1996.
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