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Eloge de la simulation 1986

Queau, Philippe. Eloge de la simulation. Paris: Diffusion, Presses Universitaires de France, 1986.
Kunst und lllusion: Zur Psychologie der bildlichen Darstellung 2002

Gombrich, Ernst Hans. Kunst und lllusion: Zur Psychologie der bildlichen Darstellung. Berlin: Phaidon Verlag, 2002.
Ways of Worldmaking 1978

Goodman, Nelson. Ways of Worldmaking. Cambridge, MASS: Hackett Publishing, 1978.
Das forschende Auge: Kunstbetrachtung und Naturwahrnehmung 1994

Gombrich, Ernst Hans. Das forschende Auge: Kunstbetrachtung und Naturwahrnehmung. Edition Pandora th ed.Frankfurt/Main: Campus Verlag, 1994.
Puttin´ on a Natural Interface 1995

Harmon, Amy. Puttin´ on a Natural Interface Los Angeles Times (June 7th 1995).
Time Machines in the Gallery: An Archeological Approach in Media Art 1996

Huhtamo, Erkki. Time Machines in the Gallery: An Archeological Approach in Media Art In Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser and Douglas McLeod, 232-268. Cambridge, MA: MIT Press, 1996.
Jeffrey Shaw´s EVE and the Panoramic Tradition 1995

Huhtamo, Erkki. Jeffrey Shaw´s EVE and the Panoramic Tradition InterCommunication 14 (1995): 138-139.
Der elektronische Raum: 15 Positionen zur Medienkunst 1998

Wirths, Axel and Gerard Goodrow and David Dunn. Der elektronische Raum: 15 Positionen zur Medienkunst. Ostfildern-Ruit: Hatje Cantz Verlag, 1998.
Back to the Future[ists]? Or, Multi-Guities for exploring the paradoxes of natural, cultural and virtual identities 2005

D'Agostino, Peter. Back to the Future[ists]? Or, Multi-Guities for exploring the paradoxes of natural, cultural and virtual identities In The Ubiquitous Network / GARR Conference, Pisa: 2005.
Being There: The Subjective Experience of Presence 1992

Heeter, Carrie. Being There: The Subjective Experience of Presence Presence: Teleoperators and Virtual Environments (Fall 1992).

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