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Press/Enter: Between Seduction and Disbelief 1995

Power Plant Contemporary Art Gallery, ed. Press/Enter: Between Seduction and Disbelief. Toronto, CAN: Premier Book Marketing, 1995.
Looking Glass Playgrounds Hit the Entertainment Bullseye 1993

Brill, Louis M.. Looking Glass Playgrounds Hit the Entertainment Bullseye Virtual Reality World (Nov. - Dec. 1993): 41-48.
The Boundary Rider: 9th Biennale of Sydney 1992

Bond, Anthony, ed. The Boundary Rider: 9th Biennale of Sydney. Sydney: Biennale of Sydney, 1992.
Inventing Reality (HTL Memo No. M-89-2) 1989

Bricken, Meredith. Inventing Reality (HTL Memo No. M-89-2). Seattle: 1989.
Biologie und Fake Life Construction - Kommunikationssplitter aus dem Netzsymposium zu LifeScience 1999

Richard, Birgit. Biologie und Fake Life Construction - Kommunikationssplitter aus dem Netzsymposium zu LifeScience In Ars Electronica 1999: LifeScience, edited by Gerfried Stocker and Christine Schöpf, 30-46. Wien, New York: Springer Verlag,
Sugar and Spice 1993

Anderson, Michael. Sugar and Spice Art Issues (May/June 1993).
Love @ 1st Byte 1992

Hsin Hsin, Lin. Love @ 1st Byte. Singapore: World Scientific Pub., 1992.
Der große Fries in der Villa dei Misteri 1966

Brendel, Otto J.. Der große Fries in der Villa dei Misteri Jahrbuch des Deutschen Archäologischen Instituts 81 (1966): 206-260.
REL Visitors from Abroad 1994

Sancken, Paulette. REL Visitors from Abroad access 8, no. 1 (Spring 1994).
Storia del Panorama: La visione totale nella pittura del XIX secolo 1984

Bordini, Silvia. Storia del Panorama: La visione totale nella pittura del XIX secolo. Collana di architettura; 26, Roma: Officina Ed., 1984.

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