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Huhtamo, Erkki. The Dream of Personal Interactive Media: A Media Archaeology of the Spirograph, a Failed Moving Picture Revolution Early Popular Visual Culture 11, no. 4 (2013): 365-408.

Huhtamo, Erkki. Illusion and its Reverse: About Artistic Explorations of Stereoscopic 3D In Expanded Narration: Das neue Erzählen: B3 Biennale des Bewegten Bildes, edited by Bernd Kracke and Marc Ries, 123-141. Frankfurt am Main: transcript, 2013.

Huhtamo, Erkki. WEB STALKER SEEK AARON: Reflections on Digital Arts, Codes, and Coders In Ars Electronica 2003: Code – The Language of our Time, edited by Gerfried Stocker and Christiane Schöpf, 110-128. Ostfildern-Ruit: Hatje-Cantz, 2003.

Kluszczyński, Ryszard W.. art@science: About Relations between Art and Science In Towards The Third Culture: The Co-Existence of Art, Science and Technology, edited by Ryszard W. Kluszczyński, 32-42. Gdańsk: Laznia Centre for Contemporary Art,

Kluszczyński, Ryszard W.. From Digital Identity to Architecture of the Nanoworld: Remarks on the Art of Victoria Vesna In Blue Morph: Victoria Vesna + James Gimzewski, edited by Marta Korga and Anna Zalewska, 5-9. Gdańsk: Baltic Culture Center,

Hessels, Scott. GPS Film: Cinema’s Latest Revolutio proceedings of SIGGRAPH: The 36th International Conference and Exhibition on Computer Graphics and Interactive Techniques, New Orleans (2009).

Hessels, Scott. Relocating The Moving Image Filter Magazine: Australian Network for Art and Technology , no. 70 (2009): 3-6.

Redaktion. Virtuelle Mauer - ein Kunstprojekt ecke köpenicker 0, no. 7 (November 2014): 1.

Reinaldo Laddaga. From Work to Conversation: Writing and Citizenship in a Global Age PMLA 112, no. 2 (March 2007): 449-463.

Kluszczyński, Ryszard W.. Living between Reality and Virtuality: Remarks over the Work of Monika Fleischmann and Wolfgang Strauss In Performing Data: Monika Fleischmann + Wolfgang Strauss, edited by Krzysztof Miękus, 6-20 pages. Gdańsk: Laznia