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In
for
mation Arts: Intersections of Art, Science, and Technology
2003
... Cambridge, MA:
The
MIT Press, 2003. Wilson, Stephen. In
for
mation Arts: Intersections of...
New Media in Late 20th-century Art (World of Art)
2003
Rush, Michael. New Media in Late 20th-century Art (World of Art). London, UK: Thames and Hudson, 2003.
Programming
the
Post Human, Computer Science redefines "life"
2002
...Ullmann, Ellen. Programming
the
Post Human, Computer...
Remediation: Understanding New Media
2000
Bolter, Jay David and Richard Grusin. Remediation: Understanding New Media. Cambridge, MASS: MIT Press, 2000.
Toni Dove´s Artificial Changelings: Collapsing Time and Feeling e/Motional Spaces
2003
Tait, Peta. Toni Dove´s Artificial Changelings: Collapsing Time and Feeling e/Motional Spaces Double Dialogues 4 (Winter 2003).
A Neglected Tradition: Art History as Bildwissenschaft
2003
Bredekamp, Horst. A Neglected Tradition: Art History as Bildwissenschaft Critical Inquiry 29 (2003).
Visual Studies: A Skeptical Introduction
2003
Elkins, James. Visual Studies: A Skeptical Introduction. New York: Routledge, 2003.
Kunst und
For
tschritt. Wirkung und Wandlung einer Idee
2002
...brich, Ernst Hans. Kunst und
For
tschritt. Wirkung und...
Visualizations:
The
Nature Book of Art and Science
2000
...emp, Martin. Visualizations:
The
Nature Book of Art and... of Cali
for
nia Press, 2000.
Xeno-epistemics: Makeshift Kit
for
Visual Art as Knowledge Production and
the
Retinal Regimes
2002
... Production and
the
Retinal Regimes In... Makeshift Kit
for
Visual Art as...
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