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Moore, Lila. The Transcendent Double Selfie App Proceedings of Taboo-Transgression-Transcendence in Art and Science Conference, Ionian University, Department of Audio & Visual Arts: Corfu, Greece (2017): 229-236.

Bill Seaman and O. E. Rössler. Neosentience | The Benevolence Engine. Bristol, United Kingdom: Intellect Press, 2011.

Lavoslava Benčić. Koncept klasičnega in elektronskega učbenika iz didaktičnega in grafično-likovnega stališča. Medijska vzgoja in produkcija. [Tiskana izd.]. , no. 1 (mar 2009): 20-25.

Waelder, Pau. Selling and collecting art in the network society. Interactions among contemporary art new media and the art market. Phd Thesis, Universitat Oberta de Catalunya, Barcelona, February 2016.

Simó, Águeda. El Universo Cognitivo del Yo y sus Posibles Interpretaciones, la Narrativa de la Mente y sus Interfaces In La Imagen Pensativa, vídeo-ensayo y Práctica Artística en el Estado Español, edited by Pedro Ortuño, 277-304. Spain:

Lavoslava Benčić and Martin Mele. Urban-planning game In: ZHA, Hongbin (ed.). Interactive technologies and sociotechnical systems : proceedings. Lecture notes in computer science, Lecture notes in artificial intelligence , no. 4270 (2006):

Lavoslava Benčić and Silva Požlep. Convivio - Interaktivni dizajn na pohodu Art.si : trimesečnik o likovni umetnosti, arhitekturi, oblikovanju in fotografiji. 06 (2004): vii-viii.

Lavoslava Benčić. Slovenian parks : changing heart and mind through motion picture Master Thesis, Midlesex University, London, London, 2008.

Albu, Cristina. Intimate Connections: Alternative Communication Threads in Nina Sobell's Video Performances and Installations (1974-1983) Camera Obscura: Journal of Feminism, Culture and Media Studies; Duke University Press 35, no. 1 (Spring

Sobell, Nina. UNSEEN: twenty-four-page folio, 24 pages 5.5” x 17”, in a handmade box, David Moscovitch, editor. Vol.1. 6 th ed.New York: Louffa Press, 2020.