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Cellular Archeology
1996
Anker, Suzanne. Cellular Archeology Art Journal 55 (1996): 33-34.
Gene Culture: Molecular Metaphor in Visual Art
2000
Anker, Suzanne. Gene Culture: Molecular Metaphor in Visual Art Leonardo 33 , no. 5 (2000): 371-375.
Der symbolische Tausch und der Tod
1982
Baudrillard, Jean. Der symbolische Tausch und der Tod. München: Matthes and Seitz, 1982.
Video als Raumkunst
1992
Weibel, Peter. Video als Raumkunst In Video – Apparat/Medium, Kunst, Kultur. Ein internationaler Reader, edited by Siegfried Zielinsky, 147-151. Frankfurt/Main, Bern, New York, Paris: Peter Lang Verlag, 1992.
Videotechnik und Filmästhetik, Anmerkungen zur Zukunftsindustrie
1984
Weibel, Peter. Videotechnik und Filmästhetik, Anmerkungen zur Zukunftsindustrie In Osnabrücker Experimentalfilmworkshop 1984 (Script), edited by Jochen Coldewey, 150-168. Osnabrück, DE: 1984.
The Actual and the Imagined
2004
Collins, Susan. The Actual and the Imagined In Networked Narrative Environments as Imaginary Spaces of Being, edited by Andrea ZappManchester: Cornerhouse Publications, 2004.
Videowelt und Fraktales Subjekt
1991
Baudrillard, Jean. Videowelt und Fraktales Subjekt In Aisthesis. Wahrnehmung heute oder Perspektiven einer anderen Ästhetik, edited by Karlheinz Barck, 252-264. Leipzig: Reclam, 1991.
Intabyu
1997
Ascott, Roy. Intabyu In The Multimedia and Cultural Evolution, edited by M. Sekiguchi, 94-99. Tokyo, Japan: Nippon Telegraph and Telephone Publishing Co. Ltd., 1997.
Illusion, Desillusion, Ästhetik
1995
Baudrillard, Jean. Illusion, Desillusion, Ästhetik In Illusion und Simulation. Begegnung mit der Realität, edited by Stefan Iglhaut and Florian Rötzer and Elisabeth SchweegerOstfildern-Ruit: Hatje Cantz, 1995.
The Shamantic Web: art et technologie de la conscience
1998
Ascott, Roy. The Shamantic Web: art et technologie de la conscience In Pour une Ecologie des Media: Art, Cinéma, Vidéo, Ordinateur, edited by M. Klonaris and K. Thomadaki, 88-104. Paris: Astarti, 1998.
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