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(Re)Thinking - the body, generative tools and computational articulation, 2010

...Seaman, Bill. (Re)Thinking - the body, generative tools and computational articulation, Technoetic Arts: A Journal Of Speculative Research 7,...
(dis)LOCATIONS 2001

...Shaw, Jeffrey and Dennis Del Favero. (dis)LOCATIONS. ZKM: digital arts edition, 2001.
Technoetic Arts 2002

...Ascott, Roy. Technoetic Arts. Yonsei: Yonsei University Press, 2002.
Unknown Artist 1993

...Pedjick, Bodjana. Unknown Artist. New York: Fricke & Schmid, 1993.
Social Formations of Global Media Art 2009

... and José-Carlos Mariátegui. Social Formations of Global Media Art Third text: Special Issue MEDIA ARTS: Practice, Institutions and...
Social Formations of Global Media Art 2009

... and José‐Carlos Mariátegui. Social Formations of Global Media Art Third Text: Special issue MEDIA ARTS: Practice, Institutions and...
Rewind: Artists’ Video in Britain 1970s and 1980s, 2012

...Cubitt, Sean and Steven Partridge, ed. Rewind: Artists’ Video in Britain 1970s and 1980s,. New Bartnet: John Libbey, 2012.
Performing nature. Explorations in ecology and the arts 2005

... ed. Performing nature. Explorations in ecology and the arts. Oxford/Bern: Peter Lang, 2005.
Sistemas telemáticos compartidos: Arquitecturas virtualizadas para un nuevo modelo de creación y la exhibición del arte electrónico contemporáneo. 2003

... para un nuevo modelo de creación y la exhibición del arte electrónico contemporáneo. Binaria. Universidad Europea de Madrid ...
¿Por qué llamarlo Copia, si es Original?. El arte de la Copia Original odel Original Múltiple como estrategia creativa. / Why call it Copy, if it is Original?. The Art of the Original Copy or the Multiple Original as creative strategy. 2015

...Escribano Belmar, Beatriz. ¿Por qué llamarlo Copia, si es Original?. El arte de la Copia Original o del Original Múltiple como estrategia...

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