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Ascott, Roy. Art, Technology and Computer Science In XLII Esposizione d´Arte: La Biennale di Venezia, edited by Maurizio Calvesi, 187-188. Venezia: Edizione La Biennale, 1986.

Ascott, Roy. Das digitale Museum / The Digital Museum In Perspektiven der Medienkunst / Media Art Perspectives, edited by H. Schwartz, 76-83, 183-189. Karlsruhe, Deutschland: Cantz Verlag, 1996.

Weibel, Peter, ed. Olafur Eliasson: Surroundings Surrounded - Essays on Space and Science. Cambridge, MA: The MIT Press, 2002.

Manovich, Lev. Schöne neue Welten? In ISEA´94 - The International Symposium on Electronic Art Proceedings, edited by Florian Rötzer, 158-170. München: Boer Verlag, 1995.

Anker, Suzanne. Cellular Archeology Art Journal 55 (1996): 33-34.

Anker, Suzanne. Gene Culture: Molecular Metaphor in Visual Art Leonardo 33 , no. 5 (2000): 371-375.

Baudrillard, Jean. Der symbolische Tausch und der Tod. München: Matthes and Seitz, 1982.

Weibel, Peter. Video als Raumkunst In Video – Apparat/Medium, Kunst, Kultur. Ein internationaler Reader, edited by Siegfried Zielinsky, 147-151. Frankfurt/Main, Bern, New York, Paris: Peter Lang Verlag, 1992.

Weibel, Peter. Videotechnik und Filmästhetik, Anmerkungen zur Zukunftsindustrie In Osnabrücker Experimentalfilmworkshop 1984 (Script), edited by Jochen Coldewey, 150-168. Osnabrück, DE: 1984.

Collins, Susan. The Actual and the Imagined In Networked Narrative Environments as Imaginary Spaces of Being, edited by Andrea ZappManchester: Cornerhouse Publications, 2004.